dances, I was very lucky to have sympathy and affection for each presentation was always the best places, so I had the opportunity to learn different genres of dance: Tap, Arab. Broadway, Italian, Ballet, English Folklore and other national and international ...... At first she created my choreography but then I said "do it yourself."
Esperanza Cruz, taught me many secrets of ballet, I remember always scolded me because she practiced gymnastics, skating and English dances while the ballet, she simply could not accept that, I wanted the "exclusivity" But I canNo, despite not having a clean technique or in cases where it is necessary to improvise a dance in no time.
* Engaging in a beautiful, flashy, colorful and crisp dress costumes
* Supplementing with the right accessories
* Engaging in a beautiful natural smile (practice in front of a mirror)
* Exaggerating the poses and highlights
* Enjoy the best of what that is
* Dance with the heart
Thanks Rafael (+) Thanks Manolita (+)
LETTERS OF MY TEACHER
RAFAEL AGUILAR.
31 DECEMBER 1983. MADRID
Dear Alexandra:
Thank you for your card with your good wishes couple parties, and our turn to wish you the best with youressional is already a chore, adding to this the terrible job of raising money for the production of these shows, now it costs an arm and a leg, luckily there is a Ministry of Culture and the success of my last show
"Diquela of the Alhambra" was one such bombing in the International Festival Carnival, that these entrepreneurs and give me the money to produce my next creation, "The Yerma" by Federico García Lorca, which cost ESP 6000000 (I think something like 4 million sucres if I remember the change.) The will premiere in October on behalf of Spain, Florence has been named European Capital of Culture and I hope to achieve with this latest show. With the pass in World visionon "The Night of Music" on 21 or June 22 depending on the country, as happened in the world and as English representation see:
* "The Monserratte Coball" that since the death of Maria Callas, the soprano International # 1.,
* A duel between Manolo Sanlucar and Paco de Lucia, on his guitar. And Manolita
* Rafael Aguilar.
Then throughout the month of July, we will make a tour of Italy with this show, and in August, Spain, to test the new show in September. In December I have another building in Cordova.
I enclose a copy of the presentation of this spectacle here in Madrid, on April 84 as a representation of English choreography in the International Festivalnal of Madrid, because there is summarized my resume.
Many regards to your mom and your sisters Janet and all, as Patty is normal for her to find your soleares bland, because she has an analytical view of the 40 0 50 but the aesthetics and dynamics have changed dramatically since then and she has kept that pattern precious "old" and everything that does not comply with it, is excluded from his admiration. We greet him as much in his style, has merit, and does it well.
Thousands of beautiful things for your children and your husband understand, and a big hug from us. AGUILAR RAFAEL
.
Harriet Bright, was in charge of showing the world of jazz and studied jazz style "Fame" in theDance group whose members share the same views as mine ... dance for the simple fact of expressing our innermost feelings without letting our art is sold, and to contribute in most cases with charities and other not profit; ACRODANCE Foundation is a dance, then what should have profile dancers?
PROFILE OF A MEMBER OF ACRODANCE
* Love dance.
* Be aware that it is more important to "give" that "receive."
* Have a positive attitude and friendship.
* Take dance as a means to help.
* Willingness to learn all styles of dance.
* Attend trials
* Participate in at leastFabrizio, I'm glad you have joined us to dance as a family ....!!!! He is present in all the tests and says "You won Mommy, I won them all!! ".
Erika loves dance as much as I, we seem a lot in many ways is just as patient and do not mind repeating the steps until you master them, even if it means testing to death, slaughtered Erika is a student at the University and must caring for your baby ..... loves dancing often has been submitted feeling sick, with fever, chicken pox, in the last show ended with sore feet as debut new shoes.
Erika has the elegance and natural highlights (a term used to express the style at the end of a movement, this includes firstap, Jazz, National Dance, Folk, Classical and Regional Spain, Arab, Jewish Dances, Greek, and mainly as Rumbas Character Dance, Russian, Hungarian, Italian, etc, ensuring the public acceptance.
In 2000 he joined Saskia Bermeo, a student at the American Language, beautiful, slim, with a contagious smile, had been taking classes with Olga Valdez, so it was not difficult for her to adopt our style and catch up with the choreography, from Saskia then Maggie and her mother accompanied us in all our presentations, thanks Maggie!
entered 2 in 2002 premiums: Craig Aspinall and Kristel Leon, but because of his studies were interrupted.
Finally this year he joinedanta elegance, passion and tenderness that Victor. Dancing with the always be an unforgettable experience. Because God allows us to travel, shorten the miles and now you can visit us and we missed out dancing record. Nelson
Villacís ... that was a great dancer! of elegant appearance and great body, resulting from years of ballet study. He agreed with Nelson in many forms, from the beginning there was much sympathy, but it was when he won the presidency of the Association of Dance of Guayas we got closer and strengthen our friendship.
One day decided we should participate as a representative group of the ADG, so we met at the Academy of Dora Neira to plan the choreography, the distributorr couples, he decided that I would be yours. It was very flattering that Nelson, being an experienced professional dancer, I have chosen.
present as the first number, a medley of dances from the coast, each pair representing a province, we interpret "Rise, rise they have seen you" which was very picturesque, especially for the perfect chemistry between Nelson and I, it was evident we enjoyed every step of the dance without forgetting our smiles, in the second choreography, a mix dedicated to Guayaquil, towards the end, I rose to make me turn, not realizing that my skirt showed off my underwear, I discovered this only to view the video recording ... that embarrassment!
Having experienced aqimos similar characteristics (strengths and weaknesses), which allowed us to evolve rapidly in the dance aspect, the beginning was weird dancing in such close proximity and closeness to someone who has just welcomed a couple of times, especially considering the type of dance, but as time has passed, we have know each other better and feel more at ease and comfortable.
partner in the dances, each dancer feels fully realized, it is complete, then interpretation is perfect, every movement has its counterpart, and strive for the harmonization and synchronization of each step is a constant challenge.
It's fun to make mistakes and atrocities, that allows us to criticize each other and rh Neira, Ximena Cadena, Jacqueline Diaz. Gilda's
Dolores Salazar, Elizabeth Neira, Jacqueline Diaz. YEAR 1970
December. Embrujo del Fandango. Jota.
December 1971. Verdiales. Jota. YEAR 1972
Chanena presentations choreographed by Coello Canizares: Amina, Carretas del Rocio, Aroma of Alhambra, Amina, The Fandanguillo of Almeria, Verdiales.
1973 August 1926 First presentation with Janet Vivar. This is Spain with Nana Paladins, Priscila Vera, Glenda Chacon, Ingrid Moreno, Rocío Alvarado, Carolina Guerrero, Vicky Zamora, Yamile Dager.
I, with the entire cast. YEAR 1975
January 1923. theater Oct. 9. Monrea footworkCadiz, with Janet and Priscila Vera. La Gran Jota.
YEAR 1979 January 1931 / February 4, 1980 Presentation of the Academy Theatre Janet Vivar on October 9. Presenting: How Much I Love You, with Priscila Vera, Ernesto Iturralde, and Victor Andrade, much rehearsed choreography. Guayaquil de mis amores
first presentation of a combination of dance and Olympic Gymnastics Tumbling
Guayaquil Malaga, Miriam Icaza, Mariza Chiriboga, Ma de Lourdes Játiva and Monica Chevasco. Janet
Andalusia, Zayda Litardo, Priscila Vera, Dalia and Dora the boat and Monica Chevasco. Grease
with Zayda, Miriam, Nana, Jacqueline Viteri and Glenda Garay.
La Gran Jota, with the entire cast. YEAR 1980
July 1921. Widow OperettaSia C of a Tango. Cadiz Zayda, Monica Pilar Avila. Vaquero. Czardas. Couplets. YEAR 1984
October 1917. Tribute to 35 years of Janet Vivar. Ecuadorian American Center. Birth
Daniela Ma.
January 10, 1984. Presentation Academy Janet Vivar. Theatre October 9. Guayaquil, What a feeling. Sevilla Patty Salcedo, Josie Martin, Veronica Espinoza. La Gran Jota. YEAR 1985
September 1917. Squeegee Tears Dancing Festival. Theatre October 9. Bolero Liso.
La Gran Jota.
January 1922. Presentation Academy Janet Vivar. Theatre October 9. Ghostbusters, Sevillanas, Orgy with Janet, Zayda, Monica Pilar Avila. The Bolero Liso. Gran Jota.
YEAR 1987.
November 1924. Squeegee Tears Dancing Festival. Rumba Gitana. Footwork. The Shrine.
January 1914. Presentation Academy Janet Vivar. Theatre October 9. The Shrine. Estudiantina. The Challenger. Monreal footwork. Rumba Flamenca (Rafael Aguilar). Gran Jota.
February 7. Presentation Academy Janet Vivar. Theatre October 9. Vermouth.
The Shrine. Estudiantina. The Challenger. Monreal footwork. Rumba Flamenca (Rafael Aguilar). Gran Jota.
1988.
January 1926. Presentation of the Academy Janet Vivar. theater Oct. 9. Tea for Two with Monica Ponce. The Wedding of Luis Alonso. Jealousy. Gran Jota.
August 1926. Squeegee Tears Dancing Festival. Art Center Theater. Tea for Two cModern men. YEAR 1992
October 1917. Squeegee Tears Dancing Festival. Hello Dolly.Acrogym. English Caprice. Wanted.
October 1929. Regional Instructional Dance Recital in Spain. Raul Canizares collaborate in explaining the origin of the dances. Goyescas. The Bolero Liso, School Bowling.
November 1921. The Night of the mini-star. Art Center Theater. Hungarian Polka
. Dance the Night with Zayda. Hello Dolly. Bolero de Ravel. La Conga. One
Daniela present: NY NY. 20 years. Can Can.
December 7. Cultural Monday ESPOL. Aula Magna. Carmen
December 1920. FASINARM Festival. Civic Center Theater. Hungarian Polka Chevasco Gina and Veronica. Dance the Nightwith Zayda. Hello Dolly. Daniela participated in: Too Legit to quit.
January 1926. Presentation of the Academy Janet Vivar. Civic Center Theater. Tanya Sanchez English Caprice. Viva Spain. Hot Lips with Monica Ponce and Isabelita Macias. Seville and Gran Jota.
1993.
October 1923. Squeegee Tears Dancing Festival. In the Restaurant. La Vida Breve with Zayda, Silvia Leticia, Gina.
YEAR 1994 January 8. The Second Night of the mini-star. Art Center Theater.
Rag Time. In the restaurant. La Vida Breve. Sailor. Daniela dance Waltz of the Flowers. Gypsy Witch. Yankee Doodle.
1995.
The Third Night of the mini-star. Theater Arts Center. Castilla English Caprice. Chatanooga. Grepaired every time better.
Sponsored by The Red Cross of Guayas, Leonor Gonzalez Directed by Perrone, visited institutions in different days and times, is organizing a program with dances, carols, and small gifts are given to each attendee .. At each visit we left with hearts full of love and satisfaction of having contributed to a tiny grain of sand, to cheer many sad faces, and forgotten, this is where I thank God for giving me this talent that I can carry along with my students, a little laughter, excitement and joy to those who rarely have the opportunity to feel them. The places visited each year are:
Asylum Asylum Plaza San Jose Harmful
Asylumto highlight the stomping I decided to make the Seville on a small platform attached to the side of the place, and the entrance of the Rumba, I went down and went with Erika and Mario, was a harmonious combination of styles and pleasing to the audience.
Las Bodas de Luis Alonso: Dancing the three, it was our last number, was very wise to leave it to the end, the public loved it, we receive numerous, frequent and warm applause, the music, the quality of dance and costumes were insurmountable; well be in the public's memory the fresh memory of an excellent presentation by ACRODANCE.
September 1917 was the VII Festival "Dancing Squeegee Lagrimas" organized by the Red Cross. Participated: Erika, Mariela,Saskia, Daniela and me. Siko
Chorepse Sytarki, a Greek dance performed flawlessly and smoothly, like a lot to the demanding and difficult public, wore colorful costumes and different from all the night, Acrodance is the only group that plays European folklore. Many
Flores, a modern rumba, sung by Rosario, energetic choreography, sensual movements while agile, flirtation, and lots of smiles, it is obvious that all enjoyed the dance. Premiered lycra suits of different colors, combined with arenas in contrast, were spectacular!
We had great feedback about our costumes and acting. I am very proud of all girls, danced with all my heart, supied from the audience.
The Tarantella was very good, with great confidence and joy, we had warm applause.
The closing of the show, was awesome sharing the stage were: Olga Valdez, Ana Maria and I as Directors of Schools, danced under the strains of pasadoble "I'm from Guayaquil, then down to chat with the audience, a gesture that really like the present and the enthusiasm to dance, they finally heard the shouts of "more Guayaquil City" was a charming and unforgettable night.
Today was one of those days ... it seemed never to end ... ... not sleep well, woke up several times at night, 2, 4 ... finally decided to get up at 6 am to start my daily chores
. L Prepare
The only alternative was:
the theater at 1:45 to rehearse until 2: 15 pm, to pick out your college Ma.Isabel, go all to eat at home mom, well, that was the plan .... in the middle of the road, was something that did not fit, something that bothered me ... .. there were several things: the ability to sell tickets to people who attend the trial, up to the cabin master and ask the technician if possible Pasodoble speed up and ask for the order of the program.
Thank God everything went well, the technician adjust my speed and recorded, leaving the car I could sell three of my posts, I came and saw Cesar. very safe and happy in our trial, the undeniable truth is that God's loveAs Ms. wonder finally earned the time to teach tango, which so far could not answer.
think that after tomorrow's presentation, Cesar will have its special place of honor in the dance, is much admired in particular by rapid evolution and how well he takes to the stage.
September 1928 Twenty-Fourth Festival "Dancing Squeegee Lagrimas" present: Heroic
Guayaquil (One Step), Erica participated, Mariela, Alexandra, Daniela and Alx.
The Campanera: Cesar Suarez, Daniela and Alx
Heroic Guayaquil was interpreted as Charleston, but as the music goes back many years ago, she identifies more with the One Step, the chicas were beautiful, the costumes fit them perfectly, in the clubhouse making jokes, jokes, an unparalleled camaraderie. Erika and Mariela
performed the dance perfectly, my chest was filled with excitement to see the girls dance with such professionalism and safety. If I am grieved that have not been involved in another number, but I felt happy that at least they could have done with one.
Erika has a serious problem in his ankle and has not been tested, so it was not possible to try another choreography, so I decided to build a dance with Cesar Suarez to use the remaining time I had been assigned.
Dance was very coordinated and beautiful and received many plaudits, Alexandranumber, in addition to their valuable comments and suggestions. Cesar Suarez
dance beautifully, after seeing the video I felt so proud of him, all his steps performed from the bottom of his heart, despite having had a few trials, despite being a whole new genre despite the (recently I find) to have a dislocated ankle during one of their arbitration.
From the first time discussed the possibility of dancing together, I knew we could achieve a magnificent job in both, guess in a lot of talent, love, passion and sacrifice for the dance, an essential ingredient in a partner.
Their costumes looked perfect, and that girls makeup made him (had no choice to choosesodoble was performed in 99% of delivery the remaining 1% was in "some" of the public sector.
After many years of performances, full of satisfaction knowing I did a good job as a choreographer.
Nevertheless, dance and sing like a lot and received many plaudits, I have the satisfaction of having been the pioneers.
September 28, 2006
The Garibaldi
We were invited by Glamour, Art Studio, and Institute of models, the choice of Miss Glamour, danced with Cesar:
The Campanera, Daniela sang live, was very nice, we were very safe.
La Cumparsita, had little uncoordinated, but always elegant tango public likes.
ncursionaba in the world of the rumba flamenca. * My burrito Sabanero
, I always liked this axial carol this version sung by a girl, another of my crazy, mix a popular Christmas carol and put some rumba and salsa. with this issue, led the Christmas festivities organized by the Municipality, was played by: Cesar, Adrian, Marielita, Wendy, Daniela and Alx, joy and perfect timing that made our participation was very pleased that the public gathered at the Agora 2 of Malecón 2000.
La Casa de la Cultura
Invited by Piero Jaramillo, danced The Campanera, accompanied by the beautiful voice of Danielle and La Cumparsita, I think this was our best performing b participacacionailes games, the floor was appropriate, the public, the sound, ie all elements combined to make this a magnificent performance.
April YEAR 2007
San José La Salle College
Invited by Ana Maria Alvarado Dance Festival "Variety dance, dance with Cesar one disco mix (Staying Alive & I Love the Nightlife) was a dance very nice, with some drama and humor, Cesar caracterizoo Count Dracula, dressed in a black suit complete with the classic coat, the performance was flawless, very appropriate costumes, special chemistry, and a joy greater than normal because just had a birthday that day, Cesar and me.
Cult Houseura.
invitation of the Association of Dance of Guayas, danced The Campanera and La Cumparsita, there was some disorganization in order to participate, but we had a performance. July
Bolivarian Dance Festival at the Plaza Colon, dance representing Bolivia, Humahuaqueño carnival, a dance very short but with a happy and contagious rhythm, after a few short essays, and after a thousand efforts to obtain costumes, this time were: Erika, Daniela, Saskia, Alexandra, Eliana, Andrea, Naomi and my baby Ma.Isabelita who were on vacation taking advantage of, I accompanied the trials and then encouraged to participate, the group looked splendid.
Quito Street Parade, The Boulevard Oct. 9Lion from the first moment he has collaborated with and supported our group.
Eliana Rivera, a student at the University, very attractive and friendly, with many fans because of his pleasant personality, loves dancing as much as us, even sitting in the classroom, I sometimes caught doing dance movements, this encouraged me to invite the group, it met the ideal profile to be met Acrodance a dancer for his character knew that he would immediately get along with the other girls, in fact, all gave a warm welcome and immediately communicate with if as good partners and friends.
After arduous and rough tests, presented:
* The Casatchok, Russian Dance, dance: Erika, Eliana, Saskia, Eliana, Daniela and me.
A merry dance of contagious rhythm, received much applause.
* The Tower of Babel, a combination of Flamenco, Rumba, tap, Hip Hop, Jazz, Regaetton and Arabic, beautiful costumes, settlers, colorful, original, very cute accessories and successful and made us look very elegant. The choreography was
couple, the perfect step in the video fails to discover any error in execution, there was only a gap in the placement of the girls, due to the lack of perception of the real size of the stage, and lack of experience the new members in this theater, both videos are on youtube, which can be accessed through the following URLs
September 1929. CHT
MLXC Multicultural Parade in Humboldt German School.
present: Funiculi and Zorba dance: Saskia, Erika, Danielle and me.
This presentation has been the most difficult stage in all our histotoria, two sections were set on cobblestone carpet ... this obviously limits the performance of dancing, Zorba was pretty good, considering the normal nerves for fear of running kinks the complicated steps and jumps, however, we made our best effort and the applause of the audience were our reward.
The Funiculi, tarantella was pretty much better, almost perfect, the timing was incredible, was heard a sound of tambourines, end our involvement, we tasted the rich s
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